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The Temperament of Law Enforcement

 

           In the Church Committee Report it said: “One FBI intelligence officer appeared to attribute the disregard of the law in the Bureau’s COINTELPRO operations to simple restlessness on the part of ‘action-oriented’ FBI agents.  George C. Moore, the Racial Intelligence Section Chief, testified that ‘the FBI’s counterintelligence program came up because if you have anything in the FBI, you have an action oriented group of people who see something happening and want to do something to take its place.”  What role does the temperament of law enforcement play in their COINTELPRO program? 

          

We dance to different drummers, David Keirsey said, on the first page of Please Understand Me II Temperament Character Intelligence.  Keirsey developed the Keirsey Temperament Sorter II based on the idea our choices often depend largely upon our temperament.  His book is based on the idea there are “four personalities, four distinct patterns of attitude and action that have been observed again and again in human beings for over two thousand years.”  He compared our brain to a computer with temperament as its hardware and character as its software.  It is our temperament, Keirsey said, which determines our character. 

 

He took the work of Isabel Myers who developed a psychological theory based on the work of Carl Jung and gave it a “larger and more ancient context.”  What he came up with was a theory of temperament types each one having a unique worldview, unique value attitudes, and a unique character style which is discerned by how they use words and how they use tools, by their different linguistic and cognitive orientations.

          

 

Of the four temperament types – Artisans, Guardians, Idealists, Rationals – those who choose driving ambulances, detective work, police work, and fire and rescue work frequently fall into the type Keirsey refers to as the Artisans and Isabel Meyers called the SPs or Sensing Perceivers.  These are the “masters in making solid practical things.”  They are dedicated to pursuing the “pleasures of the senses.”  They have a knack for “mimicking anyone they approach, often convincing others they are just like them.” 

 

What they crave is novelty.  They communicate in a concrete manner and are “utilitarian in implementing goals.”  If it can’t be observed or handled little time is spent considering it by Artisans.  Their speech is filled with details.  Their talk is specific rather than using generalizations.  It’s experience not theory that is their thing.  They can do nicely thank you without “definitions, explanations, fantasies, principles, hypotheses and the like.”  That’s all a waste of time to them. What they say points to things seen and felt not the “language of inference and interpretation, of metaphor and symbol.”

          

When it comes to goals the Artisans just go for it.  If it works they do it.  Their first consideration isn’t – does it meet with social approval? If it’s useful they are interested in it, “otherwise who needs it?”  Keirsey tells us Artisans have a utilitarian, “whatever works mindset.”  They do “whatever it takes (authorized or unauthorized) to bull their way through to a successful outcome.”  They don’t ponder the meaning of things or engage in introspection.  They don’t bother about “whose toes get stepped on, what principles are involved, or why things happen.” 

 

They are the tacticians working the smallest details, the slightest changes to their advantage with a “keen perception” and “uncanny ability to locate any and all available resources.”  Their interest is in “tactical action” and because of it they develop “tactical skills.” They spend their time perfecting technique.  They are the promoters, the crafters, the performers, the composers.  They focus on “where they want to go and the fastest way to get there.”  They “are rarely interested in building morales, or in worrying about morality.”  They are the “risk-takers” who “work so well in a crisis.”  They like being excited.  “To be impulsive, spontaneous, is to be really alive” with them. They want to make a social impact. 

 

“Artisans need to be potent, to be felt as a strong presence, and they want to affect the course of events, if only by defying, shocking, or mocking the establishment.”  These are the hunters, the warriors, good at working with equipment, optimistic, cynical, focused on living in the present who “do not reflect very much on their errors or analyze their mistakes to any great extent, it is difficult for them to learn from their mistakes,” said Keirsey in his book on temperament.

          

They would be what Mavin Zuckerman calls the Sensation Seeking Personality we learn in Keirsey’s book.  When things get too dull you can count on them to “liven things up a little” or “create a sensation.”  We learn “if their desire for excitement is not met constructively, they may channel their energies into antisocial activities such as those of a con artist.” And that “they have a low tolerance for anxiety.”  It isn’t that they go “against regulations as it is simply ignoring them and not allowing them to influence execution.”

          

What’s interesting is the shadow of this type.  Look up a description of how the concept from Jungian psychology of the shadow is defined in Wikepedia and it says, “According to Jung, the shadow, in being instinctive and irrational, is prone to project: turning a personal inferiority into a perceived moral deficiency in someone else.  Jung writes that if these projections are unrecognized ‘The projection-making factor (the Shadow archetype) then has a free hand and can realize it object – if it has one- or bring about some other situation characteristic of its power.’  These projections insulate and cripple individuals by forming an ever thicker fog of illusion between the ego and the real world.”  We take our own inferiorities and see them as a moral deficiency in someone else.  The question I am raising is can this explain who law enforcement repeatedly targets in mission creep in their COINTELPRO programs.  Let’s look at some of their targets in the COINTELPRO program of the sixties – people who wanted peace rather than the continuation of the war in Vietnam, people like Martin Luther King Jr. working for racial equality, the women’s movement working for equality between the sexes.

 

 Let’s look at some of their targets today – peace and anti-capital punishment groups, people who want climate change, people who want more morality in our foreign policy, pacifists, those advocating Gandhian nonviolence, those advocating animal rights.  The targets of the new COINTELPRO program often fall into the temperament type that Keirsey calls the Idealists – the exact opposite – the shadow – of the Artisans – of law enforcement.

          

Keirsey in his book on temperament tells us idealists devote themselves to ideals like Truth, Integrity, Justice, Virtue – the abstractions the Artisans don’t spend a great deal of time thinking about.  Where, Artisans see the pursuit of pleasure as the essence of life, idealists would more readily see it as the study of ethics.    Kiersey writes, “During the Renaissance the Viennese physician Paracelsus chose as the Idealists’ guiding spirit the Nymphs, those rarefied, often invisible beings who watch over the different realms of nature, the forests, mountains, lakes, rivers, and the sea, and who are thought to have the power of prophecy and enlightenment.”  While Artisans ask only – does it work - the Idealists are known as the Dogmatics, dedicating themselves to ideals, to principles, pondering the meaning of things. 

 

Kiersey calls them the Abstract Cooperatives who are also seen as religious types with a firm moral orientation.  Where the Artisans focus on the observable, the Idealist focus on what can be imagined, the possibilities.  Keirsey tells us, “In the Idealist’s view, people’s instruments and actions need to be acceptable to others, even if they prove less effective than some other disapproved instruments or actions.”  Laws to the Idealists “represent a common assent of their community, a unity of purpose or likemindedness” and it is consensus that Idealists hold most dear.  Fighting is painful to them “and they will do whatever is necessary to avoid it or prevent it,” Keirsey tells us. 

          

Whereas, the Artisans are gifted tacticians, the Idealists are gifted diplomats “deeply disturbed by division and discrimination.” Idealists are the teachers, the counselors, the champions, the healers.  “The interests of Idealists are diametrically opposite of those of Artisans,” Keirsey tells us.  “The Artisan perspective is hedonistic.” The Idealist perspective is altruistic.  They are “quick to join causes and to go on missions” as they seek to make the world a better place.  They seek after the meaning of existence and are interested in personal development.  Where the Artisan is focused on now, the Idealist is focused on the future, “what might be, rather than what is.”  They “feel a kind of natural sympathy for mankind.”  Keirsey tells us, “any evidence of cruelty in the world stabs Idealists in the heart and they cry out against it.”  They identify with others.   Kiersey calls them the Ethical Idealist Personality and shows us how they are the polar opposite of the Hedonic Artisans.

          

In Jungian psychology the shadow is defined as that which is the opposite of our conscious ego. Hence Idealists and Artisans can be seen as embodying each other’s shadow.  In a paper entitled Shadow and Projection by Gary Caganoff,  he explains how unfamiliarity with our shadow is dangerous, how it “unbalances our perception of reality,” physical, mental, and emotional violence being the result.  The shadow he tells us “is made up of all the repressed aspects of our personality.”  He continues, “The ego and the shadow are always in conflict.”  When we see what is not developed in our own personality in others it can trigger something in us.

 

 Our shadow can make us feel jealous and inadequate. It’s when we are unconscious of these feelings that the can cause problems.  “If the shadow is allowed to grow larger than the ego, by not being recognized and acknowledged, then, in extreme, it can wreak havoc on the psyche, creating rage, and turning the persona into a monster through their anti-social, uncivilized thoughts and actions.”  Why would law enforcement in its COINTELPRO programs see environmental activists, animal rights activists, those advocating nonviolence, advocating peace as a threat?   Does the answer have something to do with with the Artisans rejecting the opposite functions and attitudes of their own personalities? 

 

 

 

 

 

 

 

 

 

 


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